AntipodeanSF Issue 337

May I Introduce You to Yourself?

By Philipp Knutzen

No, no, no, that can’t be true. I’m not like that. Or am I?

I had volunteered as a test subject for a new device that promised to revolutionise the world of first impressions: MyDentity — Look into the Mirror. I thought it was a rather lousy slogan when I found the posting at my university’s online bulletin board, but subtlety has never been a strength of start-ups trying to be visionary. Still, for a psychology student like me, testing something called the Dual Identity Mirror felt almost obligatory. Plus, it was easy money. 

The DIM was the logical next step in the spiral of self-optimisation everyone had been trapped in for decades. First, we counted steps, then calories. Then we tracked sleep cycles, stress levels, hydration, focus intervals. If you knew how to read the metrics, you could practically predict behavior. 

The lab technician who welcomed me at the entrance briefly explained the set-up while we were walking down the hall to the lab: “You will meet yourself in a controlled setting for about ten minutes.” I nodded as if it made perfect sense. But really, I had no idea how it would work.  Before we started, I had to sign a sixteen-page waiver. I skimmed the document. When I reached the clause “You may not like what you meet,” I almost smiled and signed the waiver without reading the explanations.

Before the experiment could start, the technician quickly pierced my fingertip for the blood sample and led me to the waiting room, where I familiarised myself with the procedure by reading the elegantly designed brochure. For the experiment, a temporary clone, the “flash-grown host” as it was called in the brochure, was created and a real-time extraction of my neurological architecture was mapped onto it. It became me, temporarily, but without knowing it. I put the brochure down for a minute and tried to imagine what that meant and how they were going to flash-grow a clone of myself when a girl from my Erik Erikson class was led into the room by an assistant. Apparently, she had found the same ad. She hadn’t struck me as particularly academic or even smart. I nodded her way with this fast upward nod of recognition, the kind that usually invites a short conversation, but she only glanced at me briefly before sitting down at the other end of the room. “You here to show them this whole thing is nonsense too, or are you just curious?” I asked. She briefly looked up from her phone, raised her eyebrows, and looked back down.

I continued reading and learned that after the test was done, my clone degraded due to what they called “cellular expiration”. I tried to picture myself crumbling to pieces, the fragments foaming slightly before someone hosed the remains into a drain. Anyway, the clone’s identity was blurred just enough to let him feel like himself (or should I say: myself?) while believing he was someone else. “Selective neural amnesia” would be induced by taking a pill which made sure neither the clone nor I could recognise each other. I swallowed the pill with a large sip of water and waited for the effect to kick in. 

Shortly after, I was led into the examination room. He was already sitting there. Plain jeans and t-shirt, his arms crossed, slightly defensive but pretending not to be.

“Hi,” he said. The voice sounded familiar like I had heard it on TV many times.

“Hi.”

We shook hands. His grip was firmer than necessary, almost competitive.

“So,” he said, leaning back, “what do you do?”

“Study psychology.”

He exhaled through his nose: “Figures.”  

“What’s that supposed to mean?”

“Nothing,” he said quickly. “You just seem like someone who likes to analyse people.”

I shrugged. “Better than being analysed.” It sounded more defensive than I had hoped it to be.

He snorted again and, without asking me anything else, he started to explain his research thesis. I nodded, waiting for him to finish, but he never did.

After the meeting, I filled out a survey, rating the encounter. When the neural amnesia had worn off and I was fully myself and aware of the test setting again, the technician asked me into the lab and played the recording. I was not at all prepared for this. 

I had just met and talked to what I believed was a complete stranger, but now I could watch myself sitting opposite ... myself! The looks, tone and pitch of my voice, everything was perfect. It freaked me out so much I could only stand it for a moment before I had to look away and tell the technician to stop the recording. He asked if I wanted to take a break. Without saying anything, I went outside. 

In the close-ups of my face, I saw it: flickers of disgust, apprehension, and dislike in my own eyes while talking to myself. The same flickers I had noticed in the eyes of dates or interviewers, and — hell — even in the eyes of close relatives and good friends sometimes. In the survey, I had rated myself a 3 out of 10. Not very likable. 

On my way home, I wondered what that girl from my class would have rated me.

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About the Author

Philipp Knutzen 300Philipp Knutzen teaches English and biology by day and writes speculative fiction whenever life allows it.

His stories explore psychology, identity, and the uneasy places where science and philosophy overlap.

When words aren't enough, he composes neoclassical music.

Issue Contributors

Meet the Narrators

Ed Errington

ed erringtonEd lives with his wife plus a magical assortment of native animals in tropical North Queensland.

His efforts at wallaby wrangling are without parallel — at least in this universe.

He enjoys reading and writing science-fiction stories set within intriguing, yet plausible contexts, and invite readers’ “willing suspension of

...

James Walton

james walton 200James Walton was a librarian, a farm labourer, and mostly a public sector union official.

He is published in many anthologies, journals, and newspapers.

He has been shortlisted for the ACU National Literature Prize, the MPU International Prize, The William Wantling Prize, the James Tate Prize, and is a winner of the Raw

...

Tim Borella

tim borellaTim Borella is an Australian author, mainly of short speculative fiction published in anthologies, online and in podcasts.

He’s also a songwriter, and has been fortunate enough to have spent most of his working life doing something else he loves, flying.

Tim lives with his wife Georgie in beautiful Far

...

Merri Andrew

merri andrew 200Merri Andrew writes poetry and short fiction, some of which has appeared in Cordite, Be:longing, Baby Teeth and Islet, among other places.

She has been a featured artist for the Noted festival, won a Red Room #30in30 daily poetry challenge and was shortlisted for the

...

Geraldine Borella

geraldine borella 200Geraldine Borella writes fiction for children, young adults and adults. Her work has been published by Deadset Press, IFWG Publishing, Wombat Books/Rhiza Edge, AHWA/Midnight Echo, Antipodean SF, Shacklebound Books, Black Ink Fiction, Paramour Ink Fiction, House of Loki and Raven & Drake

...

Tara Campbell

tara campbell 150Tara Campbell is an award-winning writer, teacher, Kimbilio Fellow, fiction co-editor at Barrelhouse, and graduate of American University's MFA in Creative Writing.

Publication credits include Masters Review, Wigleaf, Electric Literature,

...

Alistair Lloyd

alistair lloyd 200Alistair Lloyd is a Melbourne based writer and narrator who has been consuming good quality science fiction and fantasy most of his life.

You may find him on Twitter as <@mr_al> and online at <...

Mark English

mark english 100Mark is an astrophysicist and space scientist who worked on the Cassini/Huygens mission to Saturn. Following this he worked in computer consultancy, engineering, and high energy research (with a stint at the JET Fusion Torus).

All this science hasn't damped his love of fantasy and science fiction. It has, however, ruined his

...

Chuck McKenzie

chuck mckenzie 200

Chuck McKenzie was born in 1970 and still spends most of his time there. His science fiction and horror short stories have been nominated for multiple genre awards, and he hopes to one day be remembered as the sort of person neighbours later describe as seeming

...

Carolyn Eccles

carolyn eccles 100

Carolyn's work spans devising, performance, theatre-in-education and a collaborative visual art practice.

She tours children's works to schools nationally with School Performance Tours, is a member of the Bathurst physical theatre ensemble Lingua Franca and one half of darkroom —

...

Sarah Jane Justice

Sarah Jane Justice 200Sarah Jane Justice is an Adelaide-based fiction writer, poet, musician and spoken word artist.

Among other achievements, she has performed in the National Finals of the Australian Poetry Slam, released two albums of her original music and seen her poetry

...

Laurie Bell

lauriebell 2 200

Laurie Bell lives in Melbourne, Australia and is the author of "The Stones of Power Series" via Wyvern's Peak Publishing: "The Butterfly Stone", "The Tiger's Eye" and "The Crow's Heart" (YA/Fantasy).

She is also the author of "White Fire" (Sci-Fi) and "The Good, the Bad and the Undecided" (a

...

Emma Gill

Emma Louise GillEmma Louise Gill (she/her) is a British-Australian spec fic writer and consumer of vast amounts of coffee. Brought up on a diet of English lit, she rebelled and now spends her time writing explosive space opera and other fantastical things in

...

Barry Yedvobnick

barry yedvobnick 200Barry Yedvobnick is a recently retired Biology Professor. He performed molecular biology and genetic research, and taught, at Emory University in Atlanta for 34 years. He is new to fiction writing, and enjoys taking real science a step or two beyond its known boundaries in his

...

Tom Wrosch

tom wrosch 150Tom Wrosch is a retired policy analyst with the State of Oregon, and resides with his wife in Salem.

He has decades-long experience in community theater and radio, most recently appearing as Grandpa in You Can’t Take it With You. Besides theater, his hobbies include reading, choral

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